Harry Gamboa Jr. – Biography

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Harry Gamboa Jr.

Photo:  ©2014, Barbara Carrasco

 

Harry Gamboa Jr. is an artist, writer, and educator.

He is the founder and director of Virtual Vérité (2005-2017), the international performance troupe.

He is a co-founder of Asco (1972-1985), the Los Angeles-based performance group.

He is a faculty member of the Photo/Media Program at California Institute of the Arts.

He is a lecturer with the Chicana/o Studies Department at California State University, Northridge.

Current Exhibition:

Construyendo Puentes |  Building Bridges
Arte Chicano/Mexicano de L.A. a CDMX
Septiembre 21 – Noviembre 25, 2018
Museo de Arte Carrillo Gill
Mexico City

His work has been exhibited by museums + galleries + art spaces nationally/internationally :

Autry Museum of the American West (2018); Foto Forum Santa Fe (2018); Museo de la Solidaridad Salvador Allende, Santiago, Chile (2018); Marlborough Contemporary, New York (2017); Whitney Museum of American Art, New York (2016, 2015 and 1995 Biennial); Utah Museum of Fine Arts (2015); Princeton University Art Museum (2015); Centre d’Arts Plastiques Contemporain Bordeaux, France (2014); De Appel, Amsterdam (2014); Triangle France, Marseille, France (2014); Smart Museum of Art, Chicago (2014); Lentos Kunstmuseum Linz, Linz, Austria (2013); Nottingham Contemporary, Nottingham, England (2013); Smithsonian American Art Museum, Washington D.C. (2013); Le Musée d’Art Contemporain, Marseille, France (2013, 2017); Museo Universitario Arte Contemporáneo (UNAM), Mexico City (2013); Tate Liverpool, Liverpook, England (2013); The Bronx Museum of the Arts, Bronx, New York (2013); UC Berkeley Art Museum and Pacific Rim Film Archive (2012); Museo del Palacio de Bellas Artes, Mexico City (2011, 1981); Museum of Contemporary Art, Los Angeles (2011, 2010); Musée de l’Élysée, Lausanne, Switzerland (2009); Orange County Museum of Art, Newport Beach, CA (2011); Whitworth Art Gallery, Manchester, England (2009); Museo de Arte Zapopan, Guadalajara, Mexico (2009); Los Angeles County Museum of Art (2011, 2008, 2001); Fowler Museum, UC Los Angeles (2011); Museo Tamayo Arte Contemporaneo, Mexico City (2008); Japanese American National Museum, Los Angeles (2008); El Museo del Barrio, New York (2008, 2010); The Huntington Library, San Marino, California (2008); Museo José Luis Cuevas, Mexico City (2006); Centre Pompidou, Paris, France (2006); Museo Nacional de la Estampa, Mexico City (2005); International Center of Photography, New York (2003); MIT List Visual Arts Center (2000); Queens Museum of Art (1999); Smithsonian Institution, Washington D.C. (1997); Statens Museum for Kunst, Copenhagen, Denmark (1996); Museum of Modern Art, New York, NY (1994); Getty Research Institute, Los Angeles (1994); LAX/CSU Los Angeles (1994); Museo del Palacio de Bellas Artes, Mexico City (1981); Museum of Contemporary Art, Chicago (1979); Museo de Arte Moderno, Mexico City (1978); Museo Alvar y Carmen T. Carrillo Gil, Mexico City (1978); Tucson Museum of Art, Tucson, AZ (1977).

He has received numerous awards from institutions including the Rockefeller Foundation (2004), the Durfee Foundation Artist Award (2001), the Flintridge Foundation Visual Artist Award (2000), the Gluck Foundation (1998–1999), the J. Paul Getty Trust Fund for the Visual Arts (1990), the California Arts Council (1996), Art Matters, Inc. (1996), and National Endowment for the Arts (1987 and 1980).

Hilda Solis, Los Angeles County Supervisor, First District presented Harry Gamboa Jr. with a County of Los Angeles Commendation, August 1, 2017

In recognition of dedicated service to the affairs of the community and for the civic pride demonstrated by numerous contributions for the benefit of all citizens of Los Angeles County.

Harry Gamboa Jr., See What You Mean, 2016/17 Getty Artist Program invitee, The J.Paul Getty Museum

also

See What You Mean – Fotonovelas

also

Xoloitzcuintli Doppelgänger and other stories by Harry Gamboa Jr.

Xoloitzcuintli Doppelgänger and other stories by Harry Gamboa Jr. explores the stratospheric and subterranean aspects of perception via fiction regarding 21st Century urban life. Encounters with riots, fluctuating landscapes, and unidentified phantoms that roam the streets of México City, Berlin, and Los Angeles are revealed as dreamscapes. Stark humor confronts surreal moments where Aztec realms play with contemporary Chicano reflections.   Xoloitzcuintli Doppelganger and other stories serve as a literary afterimage that will persist long after reading the last page.

8″ x 10″ (20.32 x 25.4 cm)
Black & White Bleed on White paper
104 pages
ISBN-13: 978-1724629906
ISBN-10: 1724629905
BISAC: Fiction / Urban Life 2018

$18.00

Order your copy on Amazon:
https://www.amazon.com/Xoloitzcuintli-Doppleganger-other-stories-Gamboa/dp/1724629905?keywords=harry+gamboa+jr.&qid=1534791182&sr=8-2&ref=mp_s_a_1_2

 

2010 Latino Heritage Month was inaugurated in a ceremony attended by a wide spectrum of supporters in Council Chambers at the famed Los Angeles City Hall, where Los Angeles Mayor Antonio R. Villaraigosa presented the Latino Heritage Awards: Spirit of Los AngelesWillie Herrón IIIPatssi Valdez, and Harry Gamboa Jr. accepted the award on behalf of Asco), Dream of Los Angeles Tony Plana, Hope of Los Angeles Plácido Domingo.

He has taught, lectured, and delivered artist talks at various universities and art institutions, including: University of Houston, California State University, NorthridgeUniversity of California, Los AngelesUniversity of California, Riverside,University of California, Irvine, University of California, Santa BarbaraUniversity of California, San DiegoOtis/Parsons, and Maine College of Art. He has delivered artist talks at: Smithsonian American Art MuseumHarvard UniversityUC BerkeleyStanford UniversityDartmouth CollegeCornell UniversityScripps CollegeClaremont Graduate University; School of the Museum of Fine Arts, Boston; University of Utah, Salt Lake CityCentro Cultural de España, Mexico City; University of Illinois at Urbana-Champaign; Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda”, Mexico City.

In Spring 2018, From ‘No Movie’ to ‘Fake Buzzers’ and The Sixth Expanse, Harry Gamboa Jr. in conversation with Hugo Hopping [7], SixtyEight Art Institute, Copenhagen, Denmark.

In Fall 2017, he delivered keynote, Summer School #2 MAKING PUBLIC DOMAIN, Middelheim Museum, Antwerpen, organized by by Nico Dockx (Koninklijke Academie voor Schone Kunsten) and Pascal Gielen (ARIA).

In Fall 2012, Universitair Centrum Sint Ignatius Antwerpen – UCSIA sponsored Gamboa to present, La La Land: Deflections and Recollections, an artist talk at Universiteit Antwerpen. He also worked with students and faculty of Koninklijke Academie voor Schone Kunsten Antwerpen (Royal Academy of Fine Arts) along with Belgian artists Ria Pacquée and Nico Dockx to produce “actions” in Antwerpen and Brugge.

His photographs are in the permanent collection of Smithsonian National Portrait Gallery, Washington, D.C.

His photographs are in the permanent collection of Smithsonian American Art Museum, Washington, D.C.

His photographs are in the permanent collect of Whitney Museum of American Art, New York, NY.

His photographs are in the permanent collect of Williams College Museum of Art, Williamstown, MA.

His photographs are in the permanent collection of Davis Museum at Wellesly College, Wellesley, MA.

His photographs are in the permanent collection of El Museo del Barrio, New York, NY.

His photographs are in the permanent collection of Autry Museum of the American West, Los Angeles

His lithographs are in the permanent collection of Grunwald Center for the Graphic ArtsUniversity of California, Los Angeles.

His oral history is included in Smithsonian Archives of American Art (1999).

His oral history is also included in Alternative Projections, Experimental Film in Los Angeles 1945-1980, a project of Los Angeles Filmforum (2011).

A permanent collection of his media works/papers has been established and archived at Green Library, Stanford University. He is the author of several books:

His video and film work is available:

His works are featured in numerous museum catalogues including:

His work is featured in numerous books including:

His work has been internationally featured in various publications: